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3Qs: Olympics logo: double meaning or just bad design?

March 4, 2011 by Northeastern News
Getty Images

When the Inter­na­tional Olympic Com­mittee unveiled its new logo for the 2012 Olympics, many crit­i­cized its zigzag-​​like block letter design: It looked like a swastika, or it resem­bled Bart and Lisa Simpson engaged in an unnat­ural act. Now the logo’s got another critic. Iran says the logo spells out the word “Zion,” and is threat­ening to boy­cott the London games if the design isn’t changed. John Kane, North­eastern art and design lec­turer, dis­cusses reac­tion to the Olympics logo and other logo controversies.

Is it typ­ical for logos to be mis­in­ter­preted?

People who have time on their hands mis­in­ter­pret logos con­stantly. As my col­league, adjunct pro­fessor Mark Laughlin said, “It’s like finding the Virgin Mary in a piece of toast.” In one example from 2005, there was a Burger King ice cream cone logo with a swirly design that some in Arab coun­tries read as the word “Allah” being used in some heretical way. Burger King pulled it imme­di­ately. But typ­i­cally, this kind of crit­i­cism is done more for amuse­ment than some secret meaning. You have to be a little bit para­noid to think that this stuff is being done to convey a sub­lim­inal message.

What are some exam­ples of logos that have actu­ally intended to send a polit­ical mes­sage?

The brief his­tory of graphic design is replete with exam­ples of polit­ical and social pro­pa­ganda — the work of El Lis­sitzky and Gustav Klutsis for the Soviets in the 1920s, Ludwig Hohlwein’s work for the Third Reich, Jean Carlu’s and Her­bert Matter’s posters for the Allies during World War II, and the silkscreens of Paris’ Ate­lier Pop­u­laire in May 1968 all spring to mind. But anyone trying to equate this Olympics logo with what is no more than a marketing-​​driven branding exer­cise for a com­mer­cial endeavor really needs to step back, take a deep breath, and maybe a few eye drops. Some­times bad work is just bad work.

How do logo designers make sure they aren’t cre­ating an offen­sive image?

You do mas­sive Google searches and you go to great lengths to make sure you don’t blunder into any­thing. I’m sure the designers of the Olympics logo, Wolff Olins, did their due dili­gence. If someone had thought the logo looked like the word “Zion” or a swastika or Bart and Lisa Simpson having sex, they wouldn’t have gone forward.

This entry was posted in Media & Arts, Society & Culture and tagged advertising, art, graphic design, logo, london, Olympics. Bookmark the permalink.
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This entry was posted in Media & Arts, Society & Culture and tagged advertising, art, graphic design, logo, london, Olympics. Bookmark the permalink.

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3 comments

  1. David says:
    July 29, 2012 at 1:42 pm

    I’m having a debate with a friend. What is the Summer Games equiv­a­lent to curling in the Winter Games, as in a sport that when you watch it on TV you think that it is the one sport you could qualify for in the Olympics?

  2. Jill says:
    July 29, 2012 at 3:51 pm

    So excited for the olympic games. No better event in sports.

  3. Dave says:
    August 1, 2012 at 10:58 am

    Anyone else in the United States think that Meredith and Costas nearly ruined the Opening Cer­e­monies? They were awful. Costas was like Alex Tre­beck on Jeop­ardy. It’s easy to sound like a know it all when you have the cue cards right in front of you.

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