Nov. 2000

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The World Outside the Door

All around us, the night comes in on little possum feet.


"Animals Among Us: Living with Suburban Wildlife" by Fran Hodgkins (Linnet Books; North Haven, Connecticut; 2000; 114 pages; $19.50)

"Watching Birds: Reflections on the Wing" by Ann Taylor (Ragged Mountain Press; Camden, Maine; 2000; 160 pages; $19.95)


By Charles Coe

The Europeans who explored and settled North America saw their new world as a boundless cornucopia. When they had exhausted the forests, fields, and game of one locale, they'd simply move west and begin anew. Not until the latter part of the nineteenth century, when huge portions of the frontier had been developed and forever lost, did it become clearer that the environment is a system of fragile-and finite-resources.

Two excellent books by Northeastern graduates offer very different but equally thoughtful and compelling perspectives on how we can live in greater balance with our surroundings, in an ever more crowded world. Animals Among Us: Living with Suburban Wildlife, by science writer Fran Hodgkins, AS'87, examines how wild animals have learned to cope with, and in many ways benefit from, suburban development. And Watching Birds: Reflections on the Wing, by Salem State College professor of English Ann Taylor, Ed'64, MA'66, offers a series of elegant and poetic essays on what birds can teach us about the natural world, and ourselves.

Animals Among Us combines a down-to-earth, sometimes humorous writing style with a wealth of factual information. The first chapter, "A Wildlife Tour of Town"-an amusing description of the secret lives of the wild things that share the suburbs with their human inhabitants-is by itself worth the price of the book.
According to Hodgkins, the presence of humans can actually be a boon to wildlife for many reasons. Garbage cans, bird feeders, and dishes of food left out for family pets are a bonanza for hungry raccoons, possums, coyotes, and other wild visitors. And our virtual elimination of larger predators such as cougars and bears from suburban environments has contributed to an explosion in the deer population, and helped the resourceful coyote thrive in its new position atop the local food chain.

On the other hand, people sometimes put animals at risk without realizing it. Hodgkins points out that the common house cat, when left free to roam backyards and woods, kills millions of songbirds a year. She urges readers to keep their cats inside, where they're also less susceptible to injury and disease, or at least to fit them with belled collars and place bird feeders out of their range.

Often, when animals create problems for us, our first impulse is to get rid of the animals. Hodgkins encourages us to look instead for ways to minimize their impact. For example, beaver population growth can present serious problems in the suburbs. Water backed up by beaver dams can flood septic tanks and drinking-water wells, create breeding grounds for mosquitoes, and wash out roads.

In response, some people resort to trapping, although that strategy is now illegal in many areas. Hodgkins recommends the use of "beaver deceivers," ingenious combinations of pipes that allow water to flow through the dams. The bonus: Beaver dams become a benefit rather than a liability, helping to clean and filter the water flowing through them; and the resulting wetlands provide food and shelter for a wide variety of animals.

"Wildlife will be with us always," says Hodgkins. "We need to understand it, appreciate it, and be willing to take responsibility for it." Her book provides a long list of strategies for doing exactly that. Animals Among Us engages and entertains while greatly expanding the reader's understanding of wild animals that live, often unseen, under our very noses.

In Watching Birds: Reflections on the Wing, Ann Taylor offers a series of more personal reflections on the natural world. Her essays combine travel writing with memoir and reflection, carrying her readers along as she "trails through eel grass on marshy Monomoy Island looking for a bald eagle," or "crawl[s] over craggy boulders for a close-up photograph of a feeding puffin, a sunlit calendar puffin with its yellow beak firmly clamped on a school of little silver fish."

Taylor never takes herself too seriously, realizing that many people view bird-watchers with bemusement. Yet she firmly rejects the tired stereotype of a birder as the "knobby-kneed simpleton in pith helmet, striped shirt, baggy plaid shorts, argyle socks, and lumpy shoes-a type of eccentric loony."

Nature writer James Fisher once commented, "The observation of birds may be a superstition, a tradition, an art, a science, a pleasure, a hobby, or a bore; this depends entirely on the nature of the observer." In that light, Taylor's essays reveal as much about her own interior life as they do about the birds she describes.

We gain insights into her family and her love for teaching. We learn she's an adventurous and perceptive traveler whose bird fascination has carried her to Italy, Africa, England, and Alaska. And we feel her scholarly passion for the work of such great writers as Thoreau, Wordsworth, and Wallace Stevens, as well as less familiar authors whose names this reader jotted down for future reference, such as Gilbert White, an eighteenth-century British writer, and John Burroughs, an early-twentieth-century American essayist who, Taylor claims, had "the scientist's eye and the poet's heart."

As Hodgkins does in Animals Among Us, Taylor speaks to our responsibilities toward-and dependence on-the natural world. "It is no longer easy to simply admire birds, to find consolation in their predictable presence," she says. "Appreciation is now accompanied by an inevitable fear about the future of birds, and ultimately of ourselves."

She notes that the populations of some migratory songbirds have decreased by half over the last twenty years, and warns that "more from neglect than malice, we are destroying their habitat, withdrawing our protection, and ignoring the consequences as we allow losses unlike any others in history." In the face of this neglect, she wonders "how silent our springs may become."

Our ancestors were blissfully ignorant of a fact we can no longer afford to ignore: Our quality of life and very survival depend on our being responsible stewards of nature. But Hodgkins and Taylor clearly believe there are reasons beyond simple self-interest for us to cherish and protect our environment.

By way of illustration, Taylor tells us she and her husband have tried to pass their love of bird-watching down to their teenage son. She hopes for him what she seems also to hope for her readers-the ability to find in nature "the chance to respect something bigger than ourselves, the chance to hike a path, as Thoreau said, 'however narrow and solitary and crooked, with love and reverence.'"

Charles Coe is a program officer with the Massachusetts Cultural Council, and a former writer and editor in the University Publications office.





"Wolf Howl: Poems"
By Francis Blessington
BkMk Press, 2000

Writer Ann Taylor's husband (mentioned in the last paragraph of the above review) has written a book of his own-a poetry collection that covers much the same ground as his wife's work: nature, family, travel.

Wolf Howl is the eighth book and second volume of poetry by Francis Blessington, Northeastern professor of English. Blessington is a classicist and John Milton expert, familiar with locales as far-flung as the Isle of Man, Salvador, and North Carolina.

As in Taylor's book, the intersection of the wild and the suburban finds voice here. The title poem describes the sense of strangeness and elation felt by caravanners who venture into the wilderness to hear the howls of wolves in the darkness:

Before the blackout, our cordon
of headlights jammed seven miles.
Beyond are the wolves, though
no one sees them but winter rangers
airlifting endangered moose
over snow to thicker woods.
But the wolves wander at will.

Other plainspoken yet elegant poems reconstruct the transcendence of a father watching a son maneuver on an icy lake unassisted for the first time ("Skating Again"), of lovers relearning truths about their relationship ("Everglades"), of a visitor's response to snapshots of long-dead workers ("Coal Mine Museum"), of a crowd watching a dazzling pyrotechnical display ("Firework")."


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